Bachelor
of 
Music
 

ENROLMENT PROCESS 

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Bachelor

of

Music

with a specialisation in

instrumental & vocal teaching

. 

 

The Bachelor of Music equips musicians and music teachers to become proactive leaders in their profession.

Learn from the best and advance your skills in disciplines such as  Performance & Pedagogy, Musicianship, Modern Music Creation, Musicology and the Business of Music. 

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Bachelor

of

Music

with a specialisation in

composition

Term starts June 1st 2022 - Download the new course guide now!

Musicology

Andreas was born in Oschatz, Germany and He studied in London at the Guildhall School of Music & Drama.
His solo recitals in renowned concert venues and appearances as soloist with such orchestras as the London Philharmonic Orchestra, the Sächsische Staatskapelle Dresden, the Malaysian Philharmonic Orchestra, the Prague Radio Orchestra, the Miami Symphony Orchestra, the Bolshoi Symphony Orchestra, the Berliner Symphoniker  and the Auckland Philharmonia Orchestra have secured Boyde’s reputation as an esteemed performing artist. The Brandenburgisches Staatsorchester Frankfurt appointed Andreas Boyde Artist in Residence for the season 2018/19

Senior Lecturer Technology & Composition

 

Caleb Garfinkel is Senior Lecturer of Modern Music Creation at the Australian Guild of Music, and is also responsible for student registration and administration as Registrar. He has a Bachelor of Music with Honours (VU, Monash) in contemporary guitar, and a Master of Arts (Music Performance, Monash), focused on digital improvised performance using acoustic instruments with computers. Caleb is a composer and music director, with highlights including his original work Tony Galati The Musical, and the Australian premiere of The Color Purple; and regular performer, notably playing mandolins/acoustic guitar in the Australian production of Come From Away (Melbourne, Brisbane seasons). Caleb is also a music production and technology enthusiast, regularly producing recorded works for independent artists and live performances.

Paul watt
 

Professor of Musicology
 

Paul Watt is Professor of Musicology at the Australian Guild of Music, Melbourne and Adjunct Professor of Music in the University of Adelaide. His research crosses a range of fields including nineteenth-century music, musical biography and criticism, popular music, intellectual history and religious and literary studies. He is the author of two books, Ernest Newman: A Critical Biography (2017) and The Regulation and Reform of Music Criticism in Nineteenth-Century England (2018). His articles have been published in a variety of journals including Music & Letters, the Royal Musical Association Research Chronicle, 19th-century Music and the Yale Journal of Music & Religion. He is co-editor of a number of books including The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century (with Sarah Collins and Michael Allis, 2020) and the award-winning book, Joseph Holbrooke: Composer, Critic and Musical Patriot (with Anne-Marie Forbes, 2017). 

Paul is also the Director of the Street Music Research Unit. The Unit is affiliated with The Busking Project, a non-profit organisation in Berlin, that promotes busking and street performance around the world. Paul also serves on the editorial boards of Journal of Music Research Online, Global Nineteenth-Century Studies, the RMA Research Chronicle and ‘Studies in British Musical Cultures’, a book series published by Clemson University Press. 

Simone Maurer
 

Lecturer - Musicianship & Performance

Having joined the Guild in 2020, Simone lectures for Musicianship, and is Unit Coordinator and lecturer for Music Performance - in addition to providing governance support for various committees. Simone is a classically trained flautist, music performance and psychology researcher, and a Certified Movement Analyst. Simone has a Bachelor of Music with First Class Honours in advanced flute performance from the Queensland Conservatorium of Music, where she was a Griffith Honours College scholar and was awarded both a University and Music medal. She completed an MPhil in Music Studies (Performance) at the University of Cambridge (UK) whilst receiving flute lessons from Michael Cox (Royal Academy of Music, London). Simone is currently a final year PhD researcher in flute performance and music psychology (specifically investigating embodied cognition of performers) at the University of Melbourne, for which she received an Endeavour Postgraduate Scholarship from the Australian Government to study in NYC for one year. This study culminated in a Certification in Laban Movement Analysis from the Laban/Bartenieff Institute of Movement Studies and international registration as a somatic movement educator and therapist. Simone also teaches aural musicianship, music psychology, and dance theory at the University of Melbourne. 

Download the  course guide

ENROLMENT PROCESS 

COMPLETE ENTRY FORM

Get your documents ready and apply via our entry form

SKILLS ASSESSMENT

Our Academic Team assesses your documents

GET FEEDBACK

We will be in touch with the results or with further questions

ENROLMENT